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Kamis, 02 Mei 2013

Focus Full Movie Magyarul

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A con artiist (Will Smith) takes on an inexperienced apprentice in this crime comedy from the filmmaking duo behind Crazy Stupid Love, Glenn Ficarra and John Requa. A veteran grifter takes a young, attractive woman under his wing, but things get complicated when they become romantically involved.

About Focus

Artist : Margot Robbie, Will Smith, Rodrigo Santoro, BD Wong, Gerald McRaney
As : Jess Barrett, Nicky, Liyuan, Ownes, McEwen
Title : Focus Full Movie Magyarul
Release date : 2015-02-27
Movie Code : 2381941
Duration : 104
Category : Comedy, Crime, Drama

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Name : Todd McCarthy / Alias : Hollywood Reporter
Unfortunately, since the major characters' salient character traits are insincerity, opaqueness and untruthfulness, it's hard to invest much interest in any of them.

Name : Richard Corliss / Alias : TIME Magazine
The mix of longtime star and minx on the rise is one tasty element in the success of a movie that approaches the modest goals and effortless allure of a 60-year-old Hitchcock.

Name : Kyle Smith / Alias : New York Post
It's not that the movie keeps you guessing with its intricacy, it's more like it's making it up as it goes along.

Name : Stephen Whitty / Alias : Newark Star-Ledger
Sexy stars, pretty cities, nice music and some tricky action. If that's a con game, well - I'm happy to be had. And you will be, too.

Name : J. R. Jones / Alias : Chicago Reader
Smith wears it like a well-tailored suit, and the brisk, snappy dialogue is well delivered by an able cast.

Name : Steven Rea / Alias : Philadelphia Inquirer
Even if you're willing to forgive its sinkhole plotholes and farthest-fetched conceits, the film - from cowriters/co-directors Glenn Ficarra and John Requa - ultimately makes no sense.

Name : Wesley Morris / Alias : Grantland
[For Smith,] Focus isn't a full return to brilliance but a welcome stop, hopefully, on the way there.

Name : Claudia Puig / Alias : USA Today
At times . Focus resembles a commercial for a pricey brand of liquor, an elite hotel or a luxury car more than a story-driven movie.

Name : Betsy Sharkey / Alias : Los Angeles Times
The Hollywood stakes for Smith are as high as they are for the con man he plays. As it stands, "Focus" just might be a game changer.

Name : Rex Reed / Alias : New York Observer
It's beautifully photographed and entertaining, with charming performances by Will Smith and newcomer Margot Robbie that tease and tantalize. You won't be bored.

Name : Joe Neumaier / Alias : New York Daily News
In this lame caper, the biggest scam perpetrated is the one that makes audiences think they'll have a good time.

Name : Ty Burr / Alias : Boston Globe
You come out feeling you've been had by well-intentioned crooks who aren't ready for the big show.

Name : Joe Morgenstern / Alias : Wall Street Journal
The film itself comes to feel like a con, thanks to a script that's too clever by two-thirds, and butterfingered in the ways of portraying love.

Name : Cary Darling / Alias : Fort Worth Star-Telegram/DFW.com
The story is ludicrous.Yet Focus, Will Smith's mea culpa to moviegoers after the post-apocalyptic tedium of After Earth two years ago, is more breezily enjoyable than it has a right to be.

Name : Barbara VanDenburgh / Alias : Arizona Republic
Although it brings nothing new to the con-artist fold, or even anything thrilling, "Focus" is a seductive enough rehash that benefits from the built-in pleasures of the trade.

Name : Richard Brody / Alias : New Yorker
That sound you hear is the high-fives in the writers' room, and that, unfortunately, is where the filmmakers' focus remains.

Name : Christy Lemire / Alias : RogerEbert.com
Co-stars Will Smith and Margot Robbie remain consistently charismatic, even once the script for this heist caper collapses in a punishing pile of its own twists and double-crosses.

Name : James Rocchi / Alias : TheWrap
Like a perfect cocktail mixes the sour with the sweet and the bright with the boozy, "Focus" combines seamless, superbly-crafted filmmaking with the fizz and fun created by its leads.

Name : Randy Myers / Alias : San Jose Mercury News
This kind of film needs a punchy right hook to follow up its clever, if outlandish, jab late in the game, and "Focus" doesn't deliver.

Name : Andrew Lapin / Alias : NPR
The second half feels like Ficarra and Requa ran out of ideas and just hit restart.

Name : Tom Huddleston / Alias : Time Out
A predictably unpredictable tale of conmen and women complete with the industry-mandated quantity of fast cars, short skirts, sharp suits, slippery billionaires and "Oh, it was that guy all along!" plot twists.

Name : Ignatiy Vishnevetsky / Alias : AV Club
Focus' problem isn't that its stars lack charm, but that it's squeezed into tight spaces between protracted explanations of setups, backstories, and twists-a poor example of the every-shot-must-convey-narrative-information school of filmmaking.

Name : Richard Roeper / Alias : Chicago Sun-Times
Smith and Robbie are terrific together. At various points along the way, he's playing her, and then she's playing him, and then we're almost positive they've let their collective guard down and they're really in love . Or are they?

Name : Adam Graham / Alias : Detroit News
Smith's natural charisma has been dulled by special effects bonanzas and/or a desire to play against type. In "Focus," he feels like himself again, and he reminds you why he became one of Hollywood's biggest stars in the first place.

Name : Moira MacDonald / Alias : Seattle Times
Smith and Robbie, both going through the motions, don't click at all, and Robbie in particular has nothing to play.

Name : Liam Lacey / Alias : Globe and Mail
Drunk on its perfume-ad cinematography and doesn't know when to quit with its double-double cross plotting.

Name : Peter Travers / Alias : Rolling Stone
The two stars are dazzling distractions. Robbie is a wow and then some. The Aussie actress shows a comic flair backed up with beauty and steel. Even when Focus fumbles, Robbie deals a winning hand.

Name : Amy Nicholson / Alias : L.A. Weekly
If Grace Kelly had been raised by coyotes, she might have stalked the screen like Focus' Margot Robbie, a va-va-voom blonde with bite

Name : James Berardinelli / Alias : ReelViews
It does enough things right to earn a recommendation, but there are misfires aplenty for those who care to look for them.

Name : Chris Nashawaty / Alias : Entertainment Weekly
What keeps the film humming along as smoothly as it does is the chemistry and charisma of its leads.

Name : Peter Howell / Alias : Toronto Star
We can't say we weren't warned. Will Smith has been telling us not to trust him the entire movie.

Name : Colin Covert / Alias : Minneapolis Star Tribune
Decent but unremarkable . the kind of movie you see with some pleasure but no dreams of sequels or remakes.

Name : Peter Debruge / Alias : Variety
While not quite the "art" it's billed to be, if the perfect con is about diverting one's focus, then this one keeps you distracted till the end.

Name : Ann Hornaday / Alias : Washington Post
There's much to be said for a film that doesn't overreach, delivers on most of its promises and gets the audience out the door in just over an hour and a half.

Name : Rafer Guzman / Alias : Newsday
Like a counterfeit handbag: It looks great but falls apart when you reach into it.

Name : A.O. Scott / Alias : New York Times
Mostly, it is fun to watch Will Smith and Margot Robbie, and to marvel at whatever divine or evolutionary miracle concentrated so much charisma in the two of them.

Name : Michael Phillips / Alias : Chicago Tribune
Even in a lark about con artists working through their trust issues, we need more.

Name : Connie Ogle / Alias : Miami Herald
Focus is a shiny, stylish shell game of a film that, much like its protagonists, relies on breezy chatter, a good sense of humor and a lot of misdirection to succeed.

Name : Joe Williams / Alias : St. Louis Post-Dispatch
It's yet another reminder that if it's not called "The Sting," you shouldn't get too comfortable with a con-game movie.

Name : Lisa Kennedy / Alias : Denver Post
It's a shiny, diverting ride. (And right about now, that's OK.)

Name : Peter Rainer / Alias : Christian Science Monitor
This is the kind of movie where we're not supposed to know at any time who is playing whom, but since the characterizations are glossy and paper-thin, it's difficult to get worked up about who gets fleeced.

Name : Mick LaSalle / Alias : San Francisco Chronicle
"Focus" is ridiculous in every detail. It's a movie with no truth, that teaches nothing and shows nothing, that has only its audacity to recommend it.

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Rabu, 30 September 2015

Bastards Peliculas Gratis

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Two brothers (Owen Wilson and Ed Helms) hit the road to find their long-lost dad after they learn that their mom has been lying to them about his death. This comedy was directed by Lawrence Sher.

About Bastards

Artist : Ed Helms, Owen Wilson, Ving Rhames, J K Simmons, Terry Bradshaw
As : , , Rod Hamilton, ,
Title : Bastards Peliculas Gratis
Release date : 2017-01-27
Movie Code : 0460012
Duration : 120
Category : Comedy

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Name : Claudia Puig / Alias : USA Today
The outcome is gory and glorious.

Name : Stephanie Merry / Alias : Washington Post
Cenedella is rough around the edges, yet he remains fascinating.

Name : Stephanie Zacharek / Alias : Salon.com
Quentin Tarantino seems to be hanging on to a lost world of moviemaking. He may be nuts. But he's a nut who cares.

Name : Laremy Legel / Alias : Film.com
Like a bat to the head, it's not too subtle, but you can't help but watch.

Name : Dave Calhoun / Alias : Time Out
'Subtle' is not a word in Tarantino's lexicon. At the film's heart is a fatal attempt to conflate fact with fiction and a celebration of vengeance that's misplaced and embarrassing.

Name : Jonathan F. Richards / Alias : Film.com
Its biggest flaw, though, for those who care about such things, may be its moral attitude. That might seem a stodgy thing to bring up in the context of a Quentin Tarantino movie, but it takes such center stage that it needs to be examined.

Name : Owen Gleiberman / Alias : Variety
The madly teeming pop-cartoon paintings of Robert Cenedella anchor a lively look at a self-styled superstar of outsider art.

Name : Colin Covert / Alias : Minneapolis Star Tribune
I'm tempted to say Tarantino has done it again, but I doubt anyone has ever done anything like his dazzlingly original World War II movie, Inglourious Basterds.

Name : Robert Abele / Alias : Los Angeles Times
Though "Art Bastard" is a zesty, engaging documentary about a veteran outsider, when it comes to his complexities, it's not terribly cohesive.

Name : Lisa Schwarzbaum / Alias : Entertainment Weekly
Austrian actor Christoph Waltz   triumphs, heroically, over Tarantino's brash, cine-drunk tall tale.

Name : Peter Howell / Alias : Toronto Star
These Basterds blend into a much richer story, a hugely entertaining one with stars you don't immediately see shining.

Name : Eric Kohn / Alias : indieWIRE
Despite the injection of content from a variety of directions, Basterds lacks the crackly excitement of Tarantino's other efforts, mainly because he can't seem to tie the whole package together.

Name : Rafer Guzman / Alias : Newsday
Tarantino is the most fearlessly inventive filmmaker alive - but we knew that. And while Inglourious Basterds is never anything less than ridiculously entertaining, it's nothing Tarantino hasn't done before.

Name : James Berardinelli / Alias : ReelViews
With Inglourious Basterds, Quentin Tarantino has made his best movie since Pulp Fiction. He has also made what could arguably be considered the most audacious World War II movie of all-time.

Name : David Edelstein / Alias : New York Magazine/Vulture
The movie is an ungainly pastiche, yet on some wacked-out Jungian level it's all of a piece.

Name : Peter Rainer / Alias : Christian Science Monitor
Landa is such a wily and despicable concoction that, in movie terms, he's almost impossible not to like. And therein lies part of my problem with this movie.

Name : Scott Von Doviak / Alias : Fort Worth Star-Telegram/DFW.com
For anyone who has been hoping to see Tarantino back at the top of his game, the must-see movie of the summer has finally arrived.

Name : Christy Lemire / Alias : Associated Press
If only Quentin Tarantino the director weren't so completely in love with Quentin Tarantino the writer, Inglourious Basterds might have been a great movie rather than just a good movie with moments of greatness.

Name : Ann Hornaday / Alias : Washington Post
For all its visual bravura and occasional bursts of antic inspiration, it feels trivial, the work of a kid who can't stop grabbing his favorite shiny plaything.

Name : Ben Mankiewicz / Alias : At the Movies
This is a seriously provocative film.

Name : Christopher Orr / Alias : The New Republic
The true moral universe in which the film unfolds is that of the spaghetti westerns.: a world in which the strong are above the law and the way to tell the good guys from the bad guys is not by their acts but by the kind of hats they wear.

Name : Peter Travers / Alias : Rolling Stone
Will Basterds polarize audiences? That's a given. But for anyone professing true movie love, there's no resisting it.

Name : Colin Covert / Alias : Minneapolis Star Tribune
The secret sauce of this delicious romp is the joy of hanging out with a delightfully unruly rebel with a paintbrush.

Name : Roger Ebert / Alias : Chicago Sun-Times
Quentin Tarantino's Inglourious Basterds is a big, bold, audacious war movie that will annoy some, startle others and demonstrate once again that he's the real thing, a director of quixotic delights.

Name : J. Hoberman / Alias : Village Voice
Energetic, inventive, swaggering fun, Quentin Tarantino's Inglourious Basterds is a consummate Hollywood entertainment - rich in fantasy and blithely amoral.

Name : David Denby / Alias : New Yorker
Inglourious Basterds is not boring, but it's ridiculous and appallingly insensitive-a Louisville Slugger applied to the head of anyone who has ever taken the Nazis, the war, or the Resistance seriously.

Name : John Hartl / Alias : Seattle Times
Tarantino's wartime fantasies may leave history in the dust, but his movie is a surprisingly satisfying contribution to movies about the Holocaust.

Name : Ben Lyons / Alias : At the Movies
Superbly acted and well constructed, each scene is paced to a chaotic climatic frenzy.

Name : Steven Rea / Alias : Philadelphia Inquirer
Tonally schizoid and rife with anachronisms (a David Bowie song on the sound track, out-of-era vernacular), Tarantino's Third Reich folly is utterly exasperating.

Name : Todd McCarthy / Alias : Variety
By turns surprising, nutty, windy, audacious and a bit caught up in its own cleverness, the picture is a completely distinctive piece of American pop art with a strong Euro flavor that's new for the director.

Name : Rex Reed / Alias : New York Observer
World War II was more serious, complex and horrifying than all this comic embellishment, but if I sound critical, I apologize in advance. I had a helluva time watching Inglourious Basterds.

Name : Joe Williams / Alias : St. Louis Post-Dispatch
With its exploded notions of heroism, torture-rack dramatics and kamikaze gusto, it's a fiendishly entertaining flick.

Name : Keith Phipps / Alias : AV Club
There's a feast here, particularly in the amazing opening, an unexpected essay on King Kong, and performances by Pitt, Laurent, and Waltz. It's just been placed on a huge table with no consideration of whether it adds up to a meal.

Name : Amy Nicholson / Alias : I.E. Weekly
Basterds isn't a deep film - honestly, what Tarantino flick is? - but it has moments as sharp as a bayonet and as perverse as war itself.

Name : Sheila O'Malley / Alias : RogerEbert.com
Engaging and thought-provoking .

Name : Mick LaSalle / Alias : San Francisco Chronicle
The picture contains all the things his fans like about Tarantino - the wit, the audacity, the sudden violence - but this movie's emotional core and bigness of spirit are new.

Name : Manohla Dargis / Alias : New York Times
Simply another testament to his movie love. The problem is that by making the star attraction of his latest film a most delightful Nazi, one whose smooth talk is as lovingly presented as his murderous violence, Mr. Tarantino has polluted that love.

Name : Michael Phillips / Alias : Chicago Tribune
I don't know if I've ever seen a revenge fantasy so willfully messed up, sometimes offensively so, that still manages to be worthwhile for whole sections of its 2 1/2 hours. The opening is as good a sequence as Tarantino has ever created.

Name : Scott Marks / Alias : San Diego Reader
You may not recognize the name going in, but after spending 82 minutes watching director Victor Kanefsky cast a heartfelt lens in Cenedella's direction, you'll never forget him.

Name : Frank Scheck / Alias : Hollywood Reporter
Art Bastard shines brightest not as a biographical portrait - an aim in which it succeeds only sporadically - but rather as a showcase for the highly imaginative and thoughtful works by the now 76-year-old, too-little-known painter.

Name : Lou Lumenick / Alias : New York Post
Quentin Tarantino's extremely witty revenge fantasy Inglourious Basterds may be the most fun you'll have at the movies this summer.

Name : Stephen Whitty / Alias : Newark Star-Ledger
It's these fine sequences that can make you truly regret Tarantino's snarky, in-joke impulses, not to mention his arrogant - perhaps even dangerous - lack of concern with the story's moral dimensions.

Name : Richard Roeper / Alias : Richard Roeper.com
One of the best performances of the decade in one of the most entertaining movies of the year.

Name : Tom Charity / Alias : CNN.com
Waltz will be unknown to most American audiences - he was certainly unknown to me - but he's nothing less than sensational as the silky, polyglot SS officer charged by the Fuhrer to root out the remaining Jews in France.

Name : Tom Maurstad / Alias : Dallas Morning News
Scenes like the showdown in the tavern and the movie-premiere finale are as imaginative, energetic and, in their own weird, brutal way, beautiful as cinema gets.

Name : Bob Mondello / Alias : NPR
'Art Bastard' is a film about a man who has tilted - and continues to tilt - at the art-world equivalent of Don Quixote's windmills.

Name : Kenneth Turan / Alias : Los Angeles Times
Clocking in at 2 hours and 32 minutes, it is unforgivably leisurely, almost glacial, a film that loses its way in the thickets of alternative history and manages to be violent without the start-to-finish energy that violence on screen usually guarantees.

Name : Richard Corliss / Alias : TIME Magazine
Many Tarantino movies are female revenge fantasies, in which strong women plot the deaths of men who wronged them. In Shosanna and Bridget, the writer-director has fashioned two of his steeliest, most principled femmes fatales.

Name : Nick Schager / Alias : Village Voice
Manages to be as cursory as it is intimate, skimming over so much of Cenedella's life and career that it imparts only a hazy impression of who he is and what he believes.

Name : Bill Goodykoontz / Alias : Arizona Republic
Tarantino crams enough movie-loving passion into the film to keep you not just entertained but occasionally riveted. Above all else, it's a really enjoyable ride.

Name : J. R. Jones / Alias : Chicago Reader
Inglourious Basterds is a social marker as startling as Easy Rider was in its day.

Name : Elizabeth Weitzman / Alias : New York Daily News
When a man makes a movie this good, you can forgive him the occasional indulgence.

Name : Roger Moore / Alias : Orlando Sentinel
Inglourious is slow, dumb - and in a first for QT in his cinema savant career - incompetent.

Name : Ty Burr / Alias : Boston Globe
Inglorious Basterds is an entertainment but an uneasy one; it represents 153 minutes of bravura stalling, after which its creator loses interest and walks away.

Name : Rene Rodriguez / Alias : Miami Herald
Inglourious Basterds transcends the war genre to become its own kind of unique picture: A bloody blast of pure movie bliss.

Name : Dana Stevens / Alias : Slate
Tarantino's signature nastiness and his juvenile delight in shocking the audience undercut the movie's larger purpose.

Name : Calvin Wilson / Alias : St. Louis Post-Dispatch
Cenedella may never become a household name, but "Art Bastard" argues persuasively that fame is overrated.

Name : Stephen Holden / Alias : New York Times
"It's not what they show, it's what they don't show," the painter Robert Cenedella complains in "Art Bastard," Victor Kanefsky's robust, plain-talking documentary portrait of this lifelong rebel and art-world gadfly.

Name : Tomris Laffly / Alias : Time Out
Breezy and vivid, Art Bastard ultimately delivers the person: criminally underrated yet still principled and generous.

Name : Rick Groen / Alias : Globe and Mail
War reduced to pop entertainment should at least be easy to swallow, but this stuff keeps getting stuck in our craw. The trash that Tarantino used to elevate he now imitates.

Name : Joanne Kaufman / Alias : Wall Street Journal
All the trademark Tarantino flourishes are here - the joyous splaying of gore; the self-referential dialogue; the artful artificiality and the juxtaposition of humor and violence - but they don't add up to much.

Name : Tom Long / Alias : Detroit News
Basterds is not great Tarantino but it's solidly good Tarantino, and that's sweet news for his fans.

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